Sanam Teri Kasam Hindi Movie Review

Sanam Teri Kasam Movie Rating: 6/10

If you have persistence to sit through this two and half hour long film then, it’s similar to watching a long adventure with pleasant music and candidly great exhibitions in this silly film, which could turn into a not too bad emotional affection store.

The minute we listen ‘Sanam Teri Kasam’, one in a split second recollects the phenomenal melodies created by R.D.Burman for the Kamal Hasaan – Reena Roy starrer hit film. The motion picture is likewise known for the unbelievable music chief getting his first Award and denote the creation presentation of its lead performer. Not very many may recall that a deferred film of Saif Ali Khan – Pooja Bhatt named as “Sambandh” was out of the blue discharged as ‘Sanam Teri Kasam’ andtanked seriously over the movies. The likeness between these namesake movies was that both had great music score created by great music chiefs from theirrespective times. That closeness proceeds as we witness one more film with the same name featuring newcomers Harshvardhan Rane and Mawra Hocane with great music by Himesh Reshammiya. So how about we discover, whether this ‘Sanam Teri Kasam’ other than its great music, will figure out how to make its imprint or may wind up being yet another little film with great music getting lost because of absence of star force.

‘Sanam Teri Kasam’ is an account of a conventional young lady Saraswati(Mawra Hocane) whose folks need to get her wedded rapidly so they can get their more youthful little girl wed from that point. Saraswati gets rejected by a few young men because of her conventional values and normal looks. So as to complete a makeover Saraswati looks for help of her neighbourInder (Harshvardhan Rane), whose sweetheart (ShraddhaDas) is a makeover master. This prompts parcel of mistaken assumptions because of which she is abandoned by her dad (Manish Choudhari) and what happens next is the thing that the whole film is about.

The story has a few shades of ‘Saathiya’, ‘Mili’, “Adoration” and couple of more movies. The motion picture begins with once again the top acting where everybody is shouting and expressing garbage dialogs. There are a few undesirable tracks in the main portion of the film, making it extremely troublesome for its viewers to sit through this ceaseless adventure. The second half tries to get the motion picture tiny bit on the track and till the time it sets on its right course your understanding level needs to breeze through the corrosive test of two extend periods of time took after by most recent thirty minutes. Unfortunately, level out there, the film is extended without limitations, weakening its effect. One may like the striking difference between the characters of Harshvardhan Raneand Mawra took after by couple of sensational and sentimental scenes like Mawra discovering love notes in books and Harshvardhantaking pledges in the enlistment center office and the enthusiastic scenes highlighting Manish Chaudhary and Harshvardhanalong with Mawra in the clinic. These scenes fill in as the positive focuses for the film. On the other side, the dialogs in the principal half are frightful trailed by a powerless screenplay highlighting numerous awful to more regrettable scenes which ought to have been excluded from the film. There are numerous silly scenes which look very incredible where Harshvardhan and Mawra are indicated singing and hitting the dance floor with awful time hole, Vijay Raaz’s place in Dharavi (greatest ghetto region in Asia) has global female aides who move and sing and numerous such scenes. I can simply continue forever with rundown of such scenes making this survey look long, dragging and unedited simply like the film.

Music is one of the greatest positive purpose of the film as every one of the tunes are resonant and runs well with the stream of the film. However, the title track has a hitting likeness with ‘Kabhi Jo Badal’ from the motion picture “Big stake” and not very many individuals realize that ‘Haal-E-Dil’ was initially created for Salman Khan starrer film ‘Tere Naam’ (Courtesy – Twitter record of Salman Khan).

The executive couple concocts a decent joke subject and figure out how to remove great exhibitions from their lead on-screen characters furthermore succeed in making science between their disastrous mates. Unfortunately, they come up short severely in executing the film with extended screenplay, undesirable tracks and long exaggerated scenes.

Harshvardhan Rane marks an amazing introduction and acts with style and beauty. He helps you to remember youthful Sanjay Duttor John Abraham from Mahesh Bhatt’s movies. Would love to watch a greater amount of this promising performer. Mawra Hocanedoes her part with aggregate elegance. Manish Choudhari loans extraordinary backing. Murli Sharma is fine in his part. ShraddhaDas, Sudesh Berry and Vijay Raaz were squandered.